Design Papers

No secrets here; the design and rationale for Iconoclast, in plain English


Sound Design Creates Sound Performance

First, the Facts

Cables aren't magical; they help to bring us the magic of music, but they do what they do in the natural realm, in accord with the laws of physics. One distinctive feature of audiophile-oriented marketing has always been a tendency to hide the ball: to make up novel technical terms of uncertain significance, to talk about subjective outcomes rather than electronic principles and engineering considerations, to emphasize feeling over substance, to replace reason with vague but poetic promises.

Well, that's not how we do things here. The following papers are the core design documents for Iconoclast speaker and interconnect cables. They give a thorough account of construction, electrical properties, and design rationale -- so much so that if you had the right machines and training, and no regard for intellectual property law, you could manufacture the cable yourself. Magic, mystery and subjectivity? We leave that to your music, your system, and your judgment.


TimeSets out the central problem to be solved: time-dependent aspects of wire and cable design.RCA/XLR Design BriefHow the Iconoclast RCA and XLR cables (Series-1) were designed, and why.Speaker Cable Design BriefThe how and why of the original Iconoclast Series-1 Speaker Cable design1x4 and 4x4 Design UpdateWhy Iconoclast "Generation 2" interconnects were designed to incorporate mini-star-quad conductors.Series-2 Speaker Cable Design UpdateAfter Series-1, Series-2 speaker cables were designed with a larger number of smaller conductors -- here's why. BAV XLR Design MemoHow the Iconoclast XLR cable design was employed to create a high-flex studio version, the BAV XLR.  
Iconoclast Cable
3216 16th Ave W
Seattle WA 98119
206 284 2924